In San Francisco there is a well-known hill, Mt. Davidson, with a stone cross at its summit. Every year on Easter morning, the various Christian denominations throughout the city co-sponsored an Easter Sunrise worship service at the top of this hill. And I was walking there, through the dark streets.
I had timed the walk during the day a few days before, so I would know just how early to start my trek in order to arrive in time for the service. It was early, all right -- around 4:30 a.m.
Somehow I felt this was an important gesture for me -- a kind of acknowledgment of the stirrings begun by reading C.S. Lewis and the theologians I had discovered in my religious studies class at Lone Mountain. I was developing a new interest in mainstream Christianity.
* * *
That summer, or perhaps a summer or two later, I found myself in Golden Gate Park in San Francisco, intrigued by an announcement of a re-enactment of a festival from India.
Perhaps you remember the Hare Krishna devotees, prominent in the 1970s, who wore bright gold robes and chanted wherever they went. This organization, more formally known as the International Society for Krishna Consciousness (ISKCON), was sponsoring a version of the Ratha Jatra (or Rath Yatra). This fesitval is huge in India; more than a million pilgrims travel to Jagannath Puri, a temple in Orissa dedicated to the god Jagannath, identified with Krishna.
The Rathotsavam (or "driving the chariots") carries wooden images of Jagannath and his brother and sister in giant carts, called by the British "juggernauts" because it was difficult to pronounce the deity's Hindu name. I checked assorted Internet resources today to find out more about this festival; my knowledge at the time was quite vague. One source says that the great juggernauts carry the images a distance of approximately two miles to the sea (which is what happened in Golden Gate Park, where the procession ended at the Pacific Ocean). Another source says that the juggernauts proceed from the Jagannath Puri temple to another temple approximately two miles away, which represents Jagannath's visit to an aunt.
In India, the juggernauts are built of wood and are incredibly heavy, requiring many, many priests and devotees to pull them along with ropes and endangering the life of of anyone who accidentally gets in the way. In Golden Gate Park, the wheeled juggernauts were constructed of heavy cardboard, so it wasn't as laborious to pull or push them. They were, however, as highly decorated as those in India and extremely colorful.
The procession had a powerful effect. Everyone was chanting "Hare Krishna, Krishna, Krishna," and I joined in. Suddenly, I was running alongside one of the chariots, grabbing hold of the side, and beginning to push along with the gold-robed Hare Krishna devotees and other onlookers. It was exhilarating.
That day, and ever since, I have felt that by pushing the juggernaut, I was somehow fulfilling something, though I don't know what. In some mysterious way, this fulfillment, too, must have been a preparation for what was to come.
* * *
That summer, or perhaps a summer or two later, I found myself in Golden Gate Park in San Francisco, intrigued by an announcement of a re-enactment of a festival from India.
Perhaps you remember the Hare Krishna devotees, prominent in the 1970s, who wore bright gold robes and chanted wherever they went. This organization, more formally known as the International Society for Krishna Consciousness (ISKCON), was sponsoring a version of the Ratha Jatra (or Rath Yatra). This fesitval is huge in India; more than a million pilgrims travel to Jagannath Puri, a temple in Orissa dedicated to the god Jagannath, identified with Krishna.
The Rathotsavam (or "driving the chariots") carries wooden images of Jagannath and his brother and sister in giant carts, called by the British "juggernauts" because it was difficult to pronounce the deity's Hindu name. I checked assorted Internet resources today to find out more about this festival; my knowledge at the time was quite vague. One source says that the great juggernauts carry the images a distance of approximately two miles to the sea (which is what happened in Golden Gate Park, where the procession ended at the Pacific Ocean). Another source says that the juggernauts proceed from the Jagannath Puri temple to another temple approximately two miles away, which represents Jagannath's visit to an aunt.
In India, the juggernauts are built of wood and are incredibly heavy, requiring many, many priests and devotees to pull them along with ropes and endangering the life of of anyone who accidentally gets in the way. In Golden Gate Park, the wheeled juggernauts were constructed of heavy cardboard, so it wasn't as laborious to pull or push them. They were, however, as highly decorated as those in India and extremely colorful.
The procession had a powerful effect. Everyone was chanting "Hare Krishna, Krishna, Krishna," and I joined in. Suddenly, I was running alongside one of the chariots, grabbing hold of the side, and beginning to push along with the gold-robed Hare Krishna devotees and other onlookers. It was exhilarating.
That day, and ever since, I have felt that by pushing the juggernaut, I was somehow fulfilling something, though I don't know what. In some mysterious way, this fulfillment, too, must have been a preparation for what was to come.